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Editor's comment
RICHARD PEARCE
‘Doing our best to dodge the springtime showers, we rolled out the almost centuryold Mercedes-Benz 36/220 and positioned it in the crisp sunlight. At this point, the beauty of the car did all the hard work – it was almost impossible to take a bad photo.’ Richard’s superb photography accompanies Mark Dixon’s feature.
‘Doing our best to dodge the springtime showers, we rolled out the almost centuryold Mercedes-Benz 36/220 and positioned it in the crisp sunlight. At this point, the beauty of the car did all the hard work – it was almost impossible to take a bad photo.’ Richard’s superb photography accompanies Mark Dixon’s feature.
Editor's comment
Normally I don't like shooting black cars, but the Bond Super Sport had plenty of kerb appeal to make up for it. Its curved rear was my favourite angle, and the brightwork was like mirrors all over the bodywork, making you work harder to minimise reflections' Jonas fantastic photography accompanies Mark Dixons feature on this page.